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Showing 2 results for Coincidence
Bagher Sadrinia, Mohsen Heydarzadeh,
year 28, Issue 89 (12-2020)
Abstract
The use of ambiguity and amphibology in speech, by arranging the setting for multiplicity of significations and delaying the process of meaning comprehension, leaves a significant impression on the creation of artistic aspects of the literary work and to the extent that the speech is free of such expressive techniques, it turns into a single meaning proposition, and its artistic worth is diminished. In this paper, based on such a presupposition, we have revisited the poems of Hazin Lahiji (1103-1180 A.H.) and examined the multiplicity of significations in his poems at both lexical and textual levels. At the lexical level, some figures of speech such as amphibology and its types, coincidence, and derivative puns pass beyond the limits of significations of the couplet and open new horizons of meaning to the audience. This study confirms that 192 cases of amphibologies were used in his poem. At both the sentence and couplet levels we classified the types of ambiguities and multiplicity of significations and the causes of their emergence into three categories of linguistic, logical and tonal and in each category we investigated and analyzed the techniques used by the poet to create ambiguity and various significations.
Atefe Amirifar, Seyyed Ali Ghasemzadeh,
year 31, Issue 94 (6-2023)
Abstract
Mystical experience refers to a kind of intuitive-occult experience completely beyond the reach of the mystic-subject. Hence, the mystic is unable to fully perceive it and to repeat its quality. This inability is not merely caused by the inexpressibility and the transcendental quality of the intuitive experience, but by the semantic system governing the intuitive event and then by its narration in the language of the mystic-subject. The semantic system governing the intuitive event is based on coincidence, confronting the subject with a stressful environment and occasion without any plan or presupposition. The semantic system of coincidence is one of the four semantic systems of Landowski, which is consistent with the quality of mystical and intuitive experience along with the narrative of this experience in the mystic-subject’s verbal and non-verbal language. Based on the semantic system of coincidence, in the continuous course of life, the mystic-subject suddenly encounters an unknown and extrasensory experience, fundamentally different from the program-oriented rules of the ordinary life and affecting him in two compressive and expansive dimensions. He is not only surprised while encountering an intuitive experience, but also finds the linguistic rules insufficient for reporting its quality. Thus, the subject will produce a new form of language and meaning with his verbal and non-verbal language owing to this coincident and stressful process.
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