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Showing 2 results for Vaziri
Mohammad Bagher Vazirizadeh, Esmat Khoeini,
year 20, Issue 72 (5-2012)
Abstract
Dependency nominal phrases are among the main kinds of nominal phrases. These phrases have spread in kinds and types. In this paper, we investigate these kinds of phrases in the whole text of Tarikh-e-Balámi from the historical grammar perspective. This work is indeed one of the first remained Dari Persian manuscripts. More specifically, we study issues that have historical aspects or are semantical and considered as stylistic features. The method adopted in this study is based on the definitions and divisions that late professor Farshidvard who wrote extensively on these nominal groups. Also, we use other grammar books, whenever they are relevant to our discussion. The main goal of this article is providing an accurate historical recognition of dependency nominal phrases that are subtle issues in syntax and are considered as frequently used syntactic groups in discourse. It is assumed that the scientific investigation of grammatical subjects in a specific text may enrich the historical grammar and also may shed lights on old texts.
M.s Marjan Heydari Tambrabadi, M.s Shiva Heydari Tambrabadi, Mr Vahid Vaziri,
year 32, Issue 96 (4-2024)
Abstract
The present research, with an interdisciplinary approach, examines the role of architectural elements in the surreal stories of the blind owl and the prince of Ihtjab. Each of the architectural elements has its own specific definition and function, which shape the physical space and, in other words, create a space limited to time and place. But the content of these elements with their implicit meaning can create spaces that are not limited to time and place. Since the purpose of this research is to investigate the effect of architectural elements in creating the atmosphere of a surreal story; First, the architectural elements in the stories have been extracted, and based on comparative studies, their meaning beyond their physical aspect has been examined with the analytical-descriptive method, and finally their role in creating the surreal atmosphere of this story. It has been revealed. The Blind Owl can be considered the most important work of Sadegh Hedayat; In this story, architectural elements, including the storyteller's house and the mentioned buildings, have played a very important role in creating the atmosphere. In the story of Shahzad Ehtjab, the narrator of the story remembers in his personal room on the last night of his life, the surreal atmosphere of the story is formed by the room and the elements in it. With a deeper investigation, it can be said that the architectural elements in the room play an essential role in expressing the narrator's personal situations, recognizing the weaknesses and fears of the narrator.
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