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Azraqi Heravi is one of the great poets of the fifth and sixth centuries who is ranked often as a minor poet. In this paper, the researcher reports a study of the data related to this poet and his life, and, discussing the style of his writing and the innovations he introduces in his poetry, he tries to show that because of these very innovations Heravi is equal to some of his contemporaries if not superior to them. This paper discusses different aspects of his poetry such as his thought, imagination, emotion, language, music and form and gives some evidence to illustrate each of these elements and technical aspects.

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The entry of the legal terms and subjects of the Constitutional era into poetry’s domain caused the confluence of two types of speech, i.e. two areas of legal and literary discourse in that era’s poetry.Public law discourse organized the dominant content of the Constitutional poetry and the particularly weak presence of the element of imagination turned into its characteristic of structure and form.The main question raisedin this research is the explanation of public law discourse’s role in the relationship between form and content in Constitutional poetry.Using a descriptive-analytical method, and based on numerous poetic evidence, this study investigates the issue from the standpoint of a procedure which has emerged through the innate characteristic of legal discourse and its incompatibility with imagery and can be interpreted as “The transition from imagination to emotion” in this era’s poetry. The process based on which the dominant form of Constitutional poetry was organized with a focus on social and revolutionary sentiments in the absence of imagery.In the present article, the compatibility of this narrative with the point of view of literary modernity was investigated and the effects of the research claim on the famous areas and structures of Constitutional poetry were revisited.
 

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Affection is one of the methods of improving the quality of life and establishing effective human communication through which a person can understand a world full of meaning and full of emotions. One of the basic and fundamental emotions is sadness, which can sometimes cause serious problems due to the severity of its effects on a person's behavior and psyche. Sadness is important not only in the field of psychology but also in the field of linguistics. To the extent that Lakoff and Johnson have used it as the target area in their theory of conceptual metaphor Nezami poetry is also a poem that reflects human emotions and feelings. Emotions expressed in complex and ambiguous metaphorical language. Therefore, deciphering and understanding it can have a huge impact on the daily thinking and communication of the audience; because, according to Lakoff and Johnson, metaphors form an important part of our verbal communication. For this purpose, in the present research, with the descriptive-analytical methods based on the cognitive approach, the method of metaphorical conceptualization of grief emotion in the collection of poems of Panj ganj Nezami has been investigated. The purpose is that Nezami Ganjovi; with what skill has he depicted the abstract concept of grief? The findings of the research showed that the emotion of grief has given a special effect to military poems. In such a way that its frequency is high in some of his poems such as Khosrow and Shirin and Laily and Majnoun. To conceptualize sorrows whose source is mostly related to the loss of something valuable such as love and the death of a loved one, Nizami has used the field of various origins such as humans, plants, animals, and natural disasters.