37. Blanchot, Maurice (1982). The Space of Literature. trans. Ann Smock, Lincoln: University of Nebraska Press.

38. Blanchot, Maurice (1995). The Work of Fire. trans. Charlotte Mandell, Stanford: Stanford University Press. [DOI:10.1515/9781503615632]

39. Adkins, Brent (2017).»Death. Incorporated in Heidegger and Death, Trans. Mehrdād Pārsā. Tehrān: Shāvand [In Persian]

40. Ahmadi, Bābak (2014) Truth & Beauty, Tehrān: Markaz [In Persian]

41. Asadi, Alirezā et al. (2019). Study of Grotesque Effects in the Works of Bahrām Sādeghi & Eugene Unesco. Fiction Literature. 1: 1-21 [In Persian].

42. Aslāni, Mohammad Rezā (2005). Bahrām Sādeghi: The Remnants of a Familiar Stranger, Tehrān: Niloofar [In Persian].

43. Āzarnivār, Leilā; Pourolkhās, Shokrollāh; Kiāni, Ahmad Rezā (2022) A Study of Death & Its Effect on Life in Saadi's Works Based on Irvin Yalom's Existential Psychotherapy. Persian Language & Literature of Kharazmi University. 92: 7-30 [In Persian]. [DOI:10.52547/jpll.30.92.7]

44. Bataille, Georges (2019). Affinities of Reproduction and Death. Incorporated in Death (A Collection of Articles). Trans. Javād Ganji. Tehrān: Sāzmān-e Chāp & Enteshārāt [In Persian].

45. Bataille, Georges (2020). Literature & Evil. Trans. Farzām Karimi. Tehrān: Sib-e Sorkh [In Persian].

46. Baudrillard, Jean (2019).»How You Can Jump Over Your Shadow When You No Longer Have One? Incorporated in Death (A Collection of Articles). Trans. Javād Ganji. Tehrān: Sāzmān-e Chāp & Enteshārāt [In Persian].

47. Blanchot, Maurice et al. (2009). Literature & Death, Trans. Leilā Kuchakmanesh. Tehrān: Gām-e Now [In Persian].

48. Branchen, Elizabeth (2005). Death & Aesthetics. Trans. Amir Hossein Nedāei. Aesthetics. 12: 229-236 [In Persian].

49. Critchley, Simon (2018). Very Little… Almost Nothing. Trans. Leilā Kuchakmanesh. Tehrān: Ney [In Persian].

50. Eco, Umberto (2016). History of Ugliness. Trans. Homā Binā & Kiānoush Taghizādeh Ansāri. Tehrān: Farhangestān-e Honar [In Persian].

51. Fotuhi, Mahmoud (2008). The Literary Value of Ambiguity from Duality to Multi-layered Meaning. Persian Language & Literature of Khārazmi University. 62: 17-36 [In Persian].

52. Freud, Sigmund (2003). Beyond The Principle of Pleasure. Trans. Yousef Abāzari. Arghanun. 21: 25-81 [In Persian].

53. Fromm, Eric (2012). The Anatomy of Human Destructiveness. Trans. Ahmad Saburi. Tehrān: Āshiān [In Persian].

54. Guven, Ferit (2019). Madness & Death in Philosophy. Trans. Abdollāh Amini. Tehrān: Donyā-ye Eghtesād [In Persian].

55. Haase, Ullrich & Large, William (2005). Maurice Blanchot. Trans. Rezā Nouhi. Tehrān: Markaz [In Persian].

56. Heidegger, Martin (2013). Being & Time. Trans. Abdolkarim Rashidiān. Tehrān: Markaz [In Persian].

57. Irānzādeh Nemat; Arsh Akmal, Shahnāz (2021). The Representation of the Tenet of Death Thinking in Relation to Hope and Hopelessness in the Malakut. Literary Text Research. 88: 8-32 [In Persian].

58. Kant, Immanuel (2009). Critique of Judgment. Trans. Abdolkarim Rashidiān, Tehrān: Ney [In Persian].

59. Maleki, Fereshteh et al. (2021). A Comparative Study of Novel "Malakut" & "The Strange Case of Dr. Jekyll & Mr. Hyde" From Gothic School Perspective. Research in Contemporary World Literature. 1: 294-318 [In Persian].

60. Mirābedini, Hasan (2001). One Hundred Years of Iran's Story Writing. Tehrān: Cheshmeh [In Persian].

61. Musavi, Shāyesteh Sādāt (2017). The Significance of the Constructive Component of Character in Modern Narratives Based on Bahrām Sādeghi's Malahut. Journal of Narrative Studies. 2: 129-156 [In Persian].

62. Pournāmdāriān, Taghi; Hāshemi, Roghayyeh (2012). Analyzing The Story of Malakut Based on The Psychoanalytical School. Persian Language & Literature of Islamic Azad University of Sanandaj. 10: 137-156 [In Persian].

63. Pournāmdāriān, Tagh; Hāshemi, Roghayye (2011). An Analysis on "Malakoot" Story Based on Structuralist Approach. Persian Literature of Tehrān University. 6: 17-38 [In Persian].

64. Rank, Otto (2005). The Double as Immortal Self. Trans. Mahshid Tāj, Arghanun. 26-27: 197-233 [In Persian].

65. Sādeghi, Bahrām (1972). Malakut. Tehrān: Ketāb-e Zamān [In Persian].

66. Sāedi, Gholām Hossein (1998). The Art of Story Writing. Incorporated in The Blue Blood on Damp Ground. Tehrān: Āsā [In Persian].

67. Sanati, Mohammad (2010). Psychological Analysis in Art & Literature. Tehrān: Markaz [In Persian].

68. Schopenhauer, Arthur (2014). The World as Will & Representation. Trans. Rezā Valiyāri. Tehrān: Markaz [In Persian].

69. Sheybānian, Maryam; Nikravesh, Elham (2019). Postmodern Writing in Bahrām Sādeghi's "Malakut" & Le Clezio's "Interregation". Research in Contemporary World Literature. 2: 433-454 [In Persian].

70. Shiri, Ghahremān (2019). Kingdom of Narration. Tehrān: Varā [In Persian].

71. Shiri, Ghahremān (2008). Schools of Story Writing in Iran. Tehrān: Cheshmeh [In Persian].

72. Sontag, Susan (2011). Aesthetic of Silence. Trans. Azimeh Sattāri. Soureh. 54-55: 261-268 [In Persian].

73. Tālebiān, Yahyā et al. (2020). The Elements of Absurdity in Bahrām Sādeghi's Malakut", Literary Text Research. 86: 7-28 [In Persian].

74. Young, Julian (2016). The Philosophy of Tragedy: From Plato to Zizek, Trans. Hasan Amiri. Tehrān: Ghoghnus [In Persian].