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Mahmoud Abedi,
Volume 1, Issue 3 (10-2004)
Abstract

A highly popular poem of Hafez opening with ‘zolf Ashofte o khoui karde va’, starts with such an unexpected turn-up of ‘the beloved‘ that many researchers have considered it as traces of an implied metaphorical love in the poet′s works. In this article, having examined the early literature on this type of emergence of ‘the beloved‘ and communication with the beloved, the researcher has indicated how poets′ recounting of this experience varies according to their worlds of thinking as well as their competence and mastery in language and arts. The range of variations in poets′ reflections and interpretations is as wide and sharp as their conceptualization of ‘love’ itself. Also, in this analytic study, the readership is exposed to the essence of thoughts of Sanaee, Attar, Moulavi, and Hafez and awarded the opportunity of a friendly visit to these poets. Meanwhile, this study may be considened as a search for the geneology of Hafez ′s above – mentioned lyric poem.
 
Ali Heidari, Ghasem Sahraei,
Volume 3, Issue 7 (10-2006)
Abstract

Hafez enjoys a very good reputation for his close interest and concerns  for  the Holy Qoran. He  studied this heavenly book to such an extent and depth  that he knew it by heart and thus was designated as hafez (memorizer). No doubt,  the structure, eloquence and aesthetic style of Qoran wordings  have had a remarkable impact  on Hafez. Some of these effects, including  inserting and mentioning of signs (Ayat) or  using their meanings  are conspicuous.  However,  the influence of Qoran on Hafez goes far beyond that. This article discusses two eloquent points (mentioning General after Specific and General for specific) which are  widely used in Qoran and,  accordingly, in Hafez's  Lyrics (sonnets).
 
 


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