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Showing 3 results for Modernity
Jahangir Saffari, Seyyed Kazem Mousavi, Esmaeel Sadeghi, Ebrahim Zaheri,
year 25, Issue 82 (9-2017)
Abstract
Modernity made widespread changes in the institution of theIranian family reflected in the Persian novels. The aim of this research is to study the effect of modernity on the traditional structure of family based on the novel of Shohar-e Ahoo Khanoom. The method of research is qualitative content analysis. The effect of modernity on the relationship between family members, changeof family functions, presence of women in the society, and marriage and divorce are among the topics which were studied in this research. Afghani tried to depict the changes of Iranian family in the period of the first Pahlavi. The findings of this study shows that modernity diminished the high status of the father in the Iranian family and, on the other hand, women attained independence and individuality and became more active in the society. Moreover, more traditional members of the family developed tendency to modernity, though their understanding of modernity has been superficial.
Habib-Allah Abbasi, Abdolreza Mohaghegh,
year 29, Issue 90 (7-2021)
Abstract
The entry of the legal terms and subjects of the Constitutional era into poetry’s domain caused the confluence of two types of speech, i.e. two areas of legal and literary discourse in that era’s poetry.Public law discourse organized the dominant content of the Constitutional poetry and the particularly weak presence of the element of imagination turned into its characteristic of structure and form.The main question raisedin this research is the explanation of public law discourse’s role in the relationship between form and content in Constitutional poetry.Using a descriptive-analytical method, and based on numerous poetic evidence, this study investigates the issue from the standpoint of a procedure which has emerged through the innate characteristic of legal discourse and its incompatibility with imagery and can be interpreted as “The transition from imagination to emotion” in this era’s poetry. The process based on which the dominant form of Constitutional poetry was organized with a focus on social and revolutionary sentiments in the absence of imagery.In the present article, the compatibility of this narrative with the point of view of literary modernity was investigated and the effects of the research claim on the famous areas and structures of Constitutional poetry were revisited.
Keihan Saeedi, Sayyed Ahmad Pars,
year 30, Issue 93 (1-2023)
Abstract
The present research is an analysis of Papoli Yazdi’s utopian discourse in “Shazdeh Hamam” based on the discursive theory of Laclau and Mouffe. The sample of the study consists of the first three volumes of Papoli Yazdi’s five-volume book, Shazdeh Hamam, the first and second volumes of which have been reprinted 34 times and the third volume 14 times so far. The reason for choosing this topic is the metatextual discourses of this work, which makes it distinct from similar works. Additionally, the reason for choosing Laclau and Mouffe’s theory is its effectiveness for analyzing Papoli Yazdi’s discourse. The research method is descriptive-analytical. The data was analyzed based on content analysis and using Laclau and Mouffeʼs discourse theory. Based on this theory, the present study aims to answer the following question: How is the articulation of concepts and the process of identifying the authorʼs idealistic discourse and its relationship with the dominant discourse? The results indicate that according to this theory, the authorʼs modernist discourse is formed in contrast to the dominant traditionalist discourse, and places “modernity and progress” as an empty point in place of the nodal point. It also articulates the points of culture and women’s rights around the nodal point and gives each one a new identity and meaning. In the end, the author encourages human beings as agents to act for the realization of their ideal society.
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