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Showing 4 results for Aesthetics
Soheila Hosseini, Ahmad Mansouri Razi,
year 21, Issue 74 (5-2013)
Abstract
In modern aesthetics, the form of a poem is not enough to explain its artistic beauty. Therefore, a there is a comparative tendency to study the effect of the social environment on the personality and the taste of the poet, which leads tothe study of literary works on the basis of psychology and sociology of literature.
The researchers in this paper followa descriptive-analytical approach and employsome interdisciplinary sciences, such as psychology, sociology, anthropology and linguistics, to study the aestheticelement of color in the poetry of one of the most prominent Modernist poets of Tajikistan, FarzanehKhojandi. It is concluded that the poet is influenced by the colorful social and cultural environment of Tajikistan and employ color to describe his ethical views in the best way. Moreover, besides using the dominant symbols in Persian poetry, he introduces new symbols and diction in regard of colors and thus enriches Persian language and poetry
Habib-Allah Abbasi, Rasul Jafarzadeh,
year 27, Issue 87 (12-2019)
Abstract
There are hypotheses in the history of human culture and civilization in which we can find undeniable similarities and commonalities among them, despite their vastly different cultural and historical contexts. For example, finding commonalities between the language of two artistic aesthetic hypotheses, Sufism and Surrealism, which are very different from each other in terms of context, time as well as cultural and historical emergence, is so difficult. Our main issue in this paper is that there are undeniable similarities between these two hypotheses. This is done by means of a descriptive analytical method and comparative literature approach, particularly in American mode of it, whose aim is to study literature across the borders of given territory and research about the relation among literatures and any other epistemic areas such as art, history and philosophy. We found several common aspects between the languages of these two movements. For example, they use rebelliousness and innovative imagination, symbolism, dream, subconscious mind, love, satire, automatic writing, and madness. They also both guide humans to what is superior and profound.
Phd Sina Bashiri, Ghodratollah Taheri,
year 31, Issue 94 (6-2023)
Abstract
Modern art and literature transformed the foundations of modern aesthetics by paying attention to the negative and unconventional philosophical topics that did not play an important role in classical aesthetics. “Death” is known as one of the central elements of modern literature based on the thoughts of the existentialist and post-structuralist schools. In the modern novel, death plays an essential role in the structure and texture of the story in terms of content, language, and art; and many of the aesthetic aspects of the novel revolve around it. Sadeghi, as one of the leading writers of Iran, made “death” the subject of his novel, “Malakut”, and used many of the literary aspects of his work around this concept. In this research, using the descriptive-analytical method, the aesthetic aspects of death in “Malakut” have been analyzed, which are tied to other components of modern aesthetics. The findings of the study show that the relationship between death and other components of modern aesthetics such as paradox, absence, and ambiguity has led to the importance of the dark aspects of existence as well as the rejection of the work based on the classical and conventional standards of aesthetics.
- Shahla Khalilollahi, - Maryam Mousavi Jeshughani,
year 32, Issue 96 (4-2024)
Abstract
The process of aesthetics is a type of thinking that encompasses various philosophical schools, particularly in the realm of art, from Plato to the present day. It is a historical phenomenon that owes its philosophical significance primarily to Kant. Kant considers beauty as an independent concept, where the pleasure derived from it is inherent to the thing itselfYuriko Saito, a theorist of aesthetics, believes that the aesthetics of everyday life addresses the shortcomings of art-based philosophical aesthetics. Accordingly, aesthetic perspectives and judgments can determine the quality of life, social and cultural ethics, and serve as a necessary means for expressing the evaluation of individuals' everyday life quality. They empower humans to fully enjoy aesthetic experiences through interactions with artifacts, the surrounding environment, and human interactions. Since narrative storytelling contains propositions and capacities that can be evaluated from the perspective of everyday life aesthetics and also possess validity in the real world, this study aims to analyze and expound upon the aesthetics of everyday life based on Saito's perspective in three short stories from the collection "Aashiqyat in the Footnotes" by Mahsa Mohebbali. The research utilizes documentary and qualitative methods, drawing upon analytical library resources. The goal is to answer the question of what the elements of everyday life aesthetics are in these works. The findings of this study in the three short stories demonstrate that the everyday life of individuals and the role of objects, places, etc. are depicted as symbols, in the form of normative escapism and defamiliarization in human interactions, etc. Despite normative escapism and defamiliarization in human interactions, the texts of the stories provide a platform for experiences that ultimately lead to the realization and judgment that beauty, ugliness, and the mundane are genuinely manifested within them.
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