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In this article Shamlou’s poem “The Last Word” and its literary factors, which advance the discursive objectives of the poem are discussed. For this purpose, first, in microstructure all the sentences are studied, listed and categorized in ten groups according to Farshidvard’s model for mode of sentences. Then in macrostructure the discursive factors of the poem are studied according to Haliday and Hassan’s sample to provide us with an exact cohesive structure of the text to fulfill the discursive objectives. The results of the micro as well as macrostructure analysis of the poem are reflected in statistical tables, an abstract of which is included in this article. Moreover, the literary factors used to produce satire are also analyzed as discursive factors. The article shows that the poem has been designed on the basis of discursive opposition. Using discursive and literary factors, especially factors of satire, the poem supports the position of the poetics of the modernists and rejects that of the traditionalists, without observing the principals and logic of discourse.

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Among extant books of Sufis prose, the prose of Maqalat-e Shams-e Tabrizi has high and particular qualities. Its special language and the sensitivity that Shams shows in every point of his Maqalat regarding language makes us observe the dialectic between structure and meaning of language which is the results of forming a progressive prose compared to the prose of his contemporaries. Among the different functions of Shams’ language, metonymic function of prose has a special importance in Maqalat. Therefore, in order to discuss the form of Maqalat, in this article the metonymic language function is discussed, and in this way the theory of Roman Jakobson about metaphoric and metonymic pole of language has been used very much. Jakobson by accepting the theory of Saussure about the arbitrary aspects of language and also admitting two axes of replacing and companionship in language, adds that metonymy is formed by the relationship of proximity and companionship of words, but metaphor from the relationship of similarity in the replacement axis in language. By studying Maqalat we may conclude that its prose has used metonymy to present particular and special concepts.

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Gérard Genette is a French structuralist theorist and critic. In this paper we have investigated the speed and time technique of narration in the story of Varqa and Golshah by Ayyuqi from the viewpoint of Genette. The result of the structural study of Varqa and Golshah indicates that for the normal progress of the story and to avoid any ambiguity the writer has chosen the present time as the base and main time. Internal retrospective anachronism in the context of the story is used to inform the audience or restating the memories, and anticipative anachronism is only used to express the ambitions of the characters of the story. The study of duration shows that the story has been narrated with negative acceleration. By using this element, the writer has built the desired form of his story and has been able to increase the epic aspect of the story more than its lyric aspect. The element of frequency has been investigated from the singular, repetition, and frequent aspects. The results show that these elements have caused the text to progress fast and have led to meaningful repetition of events and emphasis on them.

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One of the basic characteristics of satire is its humour. When dealing with supreme subjects like death, Satire sometimes movesaway from its basic characteristics such as comicality, candor and accessibility and becomes less relieving and more bitter and sad. When satire deals with death, which is always mysterious and tragic for humans, it fails to provide any absolute relief;instead it brings about short term forgetfulness in the audience through diverting their attention, and givesthem a temporary sense ofbliss. This article identifies satire of death as a complex genre and analyzes its different aspects in samplepoems by Shams Langaroudi. We will see that Shams uses different methods of satire of death to deal with this phenomenon and its related concepts such as thanatophobia. The article reveals that satire of death in poems of Shams reflects human's fear and apprehension about certainty of death and emphasizes the physical and bodily dimension of human being in the natural world.

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Sufi and mystic poets employ linguistic evidence, especially expressions regarding animals, to represent mystic concepts. In this study, to explore and clarify the meanings Mulana intended to convey as the field of destination, we will examine the linguistic expression “the Lion” as the field of origination in ghazals of Divan Kabir by using the conceptual theories of metaphor introduced by George Lakoff and Mark Johnsen. Studies have shown that Mulana, by utilizing linguistic economy and provoking multiple mental images with the use of a single expression (lion), has successfully exhibited a vital and variegated spectrum of his mystic thoughts.  According to the frequency explored in this article, the expression ‘lion’ in the mystic conceptual system of Mulana enjoys a positive meaning; heart and love are more significant in comparison to reason; the crucial concept of “complete man” against human ego and “beloved” are used to represent the absolute superiority of God through visual representation of “the lion”. All in all, employing the expression of the lion to point to sublime meanings and concepts central to mysticism is an indication of Mulana’s idealistic spirit, his sanguinity and sublimated nature. In this piece of research, which is carried out through a descriptive-analytical method, after an introductory note on conceptual metaphor, origination of animal metaphors, and Mulana’s metaphoric language, the writers provide different verses as an example of different kinds of destination fields. Determining the conceptual framework, field of origination or emotive field, application of various meanings’ general and local inscription in each category would be the next step. Finally, the frequency of the fields of destination and their conceptual generalizations will be presented in a table and the data will be explicated.