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ju Publisher
Kharazmi University
ju Managing Director 
Nasergholi Sarli
ju Editor-in-Chief
Habib-Allah Abbasi
ju Manager
Zahra Saberi
ju In charge of the Site
Tahereh sadate Mirahmadi

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Habib-Allah Abbasi, Rasul Jafarzadeh,
year 27, Issue 87 (12-2019)
Abstract

There are hypotheses in the history of human culture and civilization in which we can find undeniable similarities and commonalities among them, despite their vastly different cultural and historical contexts. For example, finding commonalities between the language of two artistic aesthetic hypotheses, Sufism and Surrealism, which are very different from each other in terms of context, time as well as cultural and historical emergence, is so difficult. Our main issue in this paper is that there are undeniable similarities between these two hypotheses. This is done by means of a descriptive analytical method and comparative literature approach, particularly in American mode of it, whose aim is to study literature across the borders of given territory and research about the relation among literatures and any other epistemic areas such as art, history and philosophy. We found several common aspects between the languages of these two movements. For example, they use rebelliousness and innovative imagination, symbolism, dream, subconscious mind, love, satire, automatic writing, and madness. They also both guide humans to what is superior and profound.
 
Deceased Qolam Ali Fallah, Razieh Fouladi Sepehr, Zahra Sa’adatinia,
year 29, Issue 90 (7-2021)
Abstract

One of the modern theories of literary criticism, which is based on psychological knowledge, is the Archetypal criticism. This theory is based on the views of Carl Gustav Jung and deals with the quality of the absorption of archetypes in the mind of the poet or writer. According to studies, a heroic journey in each person’s life is possible to achieve individual perfection. Fereydoun’s story is important because of the ups and downs of his life and the important characteristics that directly affect his personality during events at every stage of his story. The purpose of this article is to study the story of Fereydoun from the perspective of an archetypal criticism based on the intellectual foundations of Carol S. Pearson and Hugh Marr on the twelvearchetypesforawakening the hero within.Adopting a descriptive-analytical approach,the authors try to portray the manifestations of prominent archetypes in Fereydoun’s story.
 

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