Hakimeh Dabiran,
Volume 1, Issue 3 (10-2004)
Abstract
In this article, first, the effect of poets on each other has been discussed. The author emphasizes formal and semantic resemblance in poet’s works as a means to determine whether resemblance and counter resemblance is a case of borrowing or not. Both these cases apply to Sheikh Farid-o-din Attar, the author of Mantegho-tair and Tazkerat-ol-olia and Sheikh Mohammad Shabestari, the author of Golshane Raz. On the one hand, Shabestari feels honor in studying some eloquent literary men such as Attar and, on the other hand, considers borrowing meanings as eavesdropping on angel and conceptual and semantic resemblance as Tavarod (a kind of plagiarism). Admiring Attar, Shabestari considers his own works as a small part of Attar’s Tableh ( Box). In this Study, all the similar matters used by the author of Golestan-e-Raz and Sheikh Mohammad Lahiji are gathered. Moreover, some Gnostic terms such as the unity of existence, manifestation, love, hate, and death are examined for the purpose of clarifying the two poets’ verses.
Mahmoud Abedi,
Volume 1, Issue 3 (10-2004)
Abstract
A highly popular poem of Hafez opening with ‘zolf Ashofte o khoui karde va’, starts with such an unexpected turn-up of ‘the beloved‘ that many researchers have considered it as traces of an implied metaphorical love in the poet′s works. In this article, having examined the early literature on this type of emergence of ‘the beloved‘ and communication with the beloved, the researcher has indicated how poets′ recounting of this experience varies according to their worlds of thinking as well as their competence and mastery in language and arts. The range of variations in poets′ reflections and interpretations is as wide and sharp as their conceptualization of ‘love’ itself. Also, in this analytic study, the readership is exposed to the essence of thoughts of Sanaee, Attar, Moulavi, and Hafez and awarded the opportunity of a friendly visit to these poets. Meanwhile, this study may be considened as a search for the geneology of Hafez ′s above – mentioned lyric poem.
